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Transgender characters are on added big and baby screens these days, with accepted shows like “Transparent” and “Orange Is The New Black.” Now a new assignment of amphitheater featuring seven auto women characters is accepting its U.S. premiere at the American Repertory Theater.



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“Trans Scripts, Allotment 1: The Women” was a hit at the 2015 Festival Fringe in Edinburgh. To actualize it, biographer Paul Lucas interviewed added than 75 transgender women in six countries. His reality-based comedy is borer into the advancing chat about gender appearance and casting.



When Lucas got the abstraction to actualize a astute allotment of amphitheater about auto women, he says he was well-aware of how marginalized characters are so generally portrayed on date and screen.

“You are the adverse whatever,” he muses. “Then you become the bold best friend, and again eventually maybe your adventure gets told. But you’re mostly aloof this hand-wringing adverse appearance and I absolutely capital to abstain that.”



As a gay man, Lucas says he knows how it feels to be stereotyped. To acquaint authentic, nuanced belief about what actuality a auto woman is absolutely like he fanned out to allege with dozens of bodies from the auto community. He recalls how with anniversary one he started by adage the aforementioned thing.

“Only you apperceive what your adventure is and area it begins,” Lucas would say. Again chase up with a question, “Can you acquaint me that moment aback there was a abstract amid who you saw yourself as and how the apple capital you to behave?”

And Lucas says they opened up.

“They aggregate belief that acquire generally not been told at all,” he tells me. “And sometimes I would alike see bodies cogent their belief as if for the aboriginal time, because they were accustomed to acquaint it to a drifter in a way they had never been asked before.”

Lucas weaves these candid, accurately belief throughout “Trans Scripts.” They’re told by seven characters of altered backgrounds, contest and nationalities, amid the ages of 28 and 70-something. Some transitioned as aboriginal as 16, others as backward as 68.

The aperture curve of the comedy mark the alpha of anniversary character’s tale. Lucas compares the arcs of their belief to Joseph Campbell’s iconic hero’s journey template. Here’s a sample of some their words:

Luna: “I was in aboriginal brand and they encouraged us to abrasion apparel to academy for Halloween. And I capital to be a witch because, as addition who acquainted like a girl, I accompanying to this character. It wasn’t about actuality feminine. I aloof capital to be a witch.”

Zakia: “My mother formed the graveyard about-face from 11 to 7, so I could be whatever I capital to at night and she didn’t know. I’d bound about the abode in her shoes, her makeup, her clothes. Perform in the mirror. If I heard somebody coming, I’d blitz about aggravating to adumbrate stuff.”

Violet: “When I was four or five, I knew I was a girl. There was a faculty of certainty, article central of me which said, ‘I am a girl.’ Not that it had abundant allowance for expression. I had no friends. I absolutely couldn’t allocution to my parents. I couldn’t allocution to anybody. So I aloof nursed this little babe central of me.”

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Sandra: “…I was this actual fey affectionate of child, and there I was, prancing about on the awning with an amphitheater abounding of bodies watching. And what I bethink so clearly, because I was watching this as well, is that everybody knew. It was so obvious, that this was not a boy adolescent captured there on film. I could see it myself. I can still see it to this day.”

Josephine: “…I did acquire a accessory my aforementioned age in Melbourne, but aback my ancestors collection over to appointment for her sixth altogether party, she wouldn’t let me comedy with her and the added girls unless I put on her white dress. And then, aback I wasn’t looking, she went and told my father.”

Eden: “One summer’s day, we were cutting tutus, active about the garden, block anniversary added with slugs and worms. And it was on that day, active aback home, aback I alone it on my mum in the car. I said, ‘I’m not a boy.’ She about swerved off the road.”

The seventh appearance we accommodated is Tatiana, a New Yorker in her backward 40s or aboriginal 50s. Like abounding in her community, she acquainted exploited as she struggled to change in the 1980s.

Here’s a bit of her dialogue:

“Some of the doctors were appealing shady. There were gender re-assignment professionals at the time, but they answerable like $150 an hour for analysis already a anniversary for God knows how continued until they assuredly gave you the permission letter to get the hormones.”

In “Trans Scripts,” Tatiana is played by Bianca Leigh.

“It’s an annal of the pioneers. So I chronicle because I’m a pioneer,” Leigh tells me, adding, “I was there.”

The extra has had adventures agnate to her appearance Tatiana’s. She’s says she’s acquainted the affliction of bounce by association and family. Leigh’s bounce came in added forms, too, as a classically-trained amateur with a amount from Rutgers University who pursued a career afterwards she transitioned.

She recalls how she and added auto performers were put into a box.

“Being apparent as, ‘OK, you’re adequate if you’re on a stage, in a gown, with your boobs up to your chin, in a bistro cabaret about as array of an alien thing,’ ” Leigh describes.

Leigh went on to acquisition advantageous assignment in New York’s city amphitheater scene.

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“I’m actual advantageous for that — but it was absolutely hard,” she says.

Eventually Leigh got a role in the award-winning 2005 blur “Transamerica.” Over time she says auto actresses including Laverne Cox of “Orange Is The New Black” acquire helped about-face perceptions amid casting agents and directors.

“And it was like, ‘Oh, they’re on time. They apperceive what they’re doing. They hit their marks. They’re affable to assignment with,’ ” Leigh says. “There was this abhorrence that these bodies were advancing from a altered apple and that we were active on the bound or beneath bridges or belonged on allocution shows.”

Playwright Paul Lucas is committed to creating added cogent roles for auto actresses, which in allotment collection him to address “Trans Scripts.” But he says casting the seven parts turned out to be challenging.

“These are actual specific women, with actual specific characteristics, and they’re, for the best part, not young,” he explains. “And so a lot of bodies that came in to audience for us, I’d adulation to see them accomplishing the roles in 10 or 15 years.”

The casting of non-trans actors for auto roles in the TV appearance “Transparent” and the blur “The Danish Girl” acquire fueled advancing agitation in trans and ball communities about who should comedy whom on date and screen.

Leigh has her own opinion: “I anticipate the all-inclusive majority of auto roles should go to auto actors — we charge the work,” she says. “When you see a white actuality arena an Asian bodies go nuts, and they should.”

At the aforementioned time, Leigh — who’s been with “Trans Scripts” throughout its development — gives the assembly aggregation credit.

“We acquire bristles out of seven, and that’s appealing abuse acceptable — absolution my French,” she says. “It has to be acclaimed that Paul and A.R.T. and Jo did an all-embracing search.”

The Jo to which Leigh refers is Jo Bonney, a acclimatized New York director.

“The absoluteness of casting this appearance is that it was appealing awe-inspiring in agreement of actuality accurate to the characters and the belief that they were telling,” she says, abacus that they auditioned dozens of auto actresses for the roles, but a lot of them didn’t acquire abundant amphitheater experience.

“You could acquire aces women advancing in, but if they didn’t acquire the accomplishment set to handle this close accent so it flows and feels absolutely amoebic to themselves, again we weren’t actuality amenable to the women who told these belief originally,” Bonney told me. She added that she hopes audiences will not focus on the gender identities of the actresses. That’s not the point.

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That said, the administrator believes alluringly auto characters should be casting with auto actors. Abe Rybeck agrees. He’s architect of the Boston-area accumulation Amphitheater Offensive, which has been presenting LGBT belief with LGBT performers for 30 years.

Rybeck is gay and says it’s agitative that a high-profile, bounded aggregation like the A.R.T. is bearing a allotment about auto experiences. But he hopes the amphitheater will accomplish a abiding charge to apery and acknowledging the association by including added bounded auto artists in the future.

“Unlike added artists who acquire to antithesis their assignment with their day job, best auto artists alike attempt to acquire a day job,” Rybeck said.

He additionally hopes to see added works from auto playwrights and directors. And he adds he’s encouraged that the A.R.T. is including bounded auto artists in a alternation that it’s active in affiliation with “Trans Scripts” alleged the I.D. Festival.

When asked about her thoughts on casting, 26-year-old extra MJ Rodriguez says she hopes for the day aback it will be easier for auto bodies to get all kinds of roles.

She plays Luna, the youngest appearance in “Trans Scripts,” and has gotten cisgender genitalia in the accomplished (cisgender is acclimated to call bodies who analyze with their bearing gender). Rodriguez says she generally makes a appeal aback talking to casting agents and directors.

” ‘Yes I’m transgender, but amuse can I be apparent for a cisgender role?’ ” she says she asks. “And thankfully there acquire been moments area that’s happened, and I’m like ‘Awesome, at atomic we’re assuredly accepting apparent for cisgender roles,’ because we don’t appetite to abode the appellation of auto on it forever.”

Ultimately Rodriguez — and the blow of the assembly aggregation — achievement “Trans Scripts” will advice deliquesce labels and accessible people’s minds.

“I’m a auto woman who says, ‘You don’t acquire to acquire me, but I would aloof adulation for you to account me,’ ” Rodriguez tells me with a pause. “And aback we acquire that compassionate … the options are limitless. And bodies will accept me more. Accept us more.”

“Trans Scripts, Allotment 1: The Women” is on date at the A.R.T. through Feb. 5. Author Paul Lucas says he additionally intends to ability a Allotment 2 about transgender men.

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